Artist Presale: January 29th @ 12PM PT
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Front Of The Line® Amex Presale Tickets^TM: January 30th @ 10AM PT
Spotify Presale: January 30 @ 12PM PT

With support: Olivia Kaplan

The album cover of Erotica Veronica captures Miya Folick canted on the edge of a mud pit, limbs  flung wide like a fever-dream fossilized midway between earth and primordial soup. It’s an apt  portrait: Miya is driven by instinct, drawn to the murk and muck of growth rather than stalled by its  complexity. This brazen spirit is what led her to self-produce her latest full-length record, which is  saturated with her catchy lyrical sensibility, astute musical craftsmanship, and signature vaulting,  acrobatic voice

Both critically acclaimed precursors - her debut Premonitions and sophomore LP Roach - have  been lauded as coming-of-age rhapsodies. It is tempting to say the same of Erotica Veronica; after  all, this new album shows us a woman running headlong into sexual exploration, often teetering on  the adolescent edge of hedonism and fear. Unlike the feral freedom of youth, it is anchored by the  wisdom and depth gained only through lived experience.

Determined to make a straight-shooting indie rock record, Miya turned to guitar to write a majority  of the album. She brought on Sam KS (Youth Lagoon, Angel Olsen) as co-producer and drummer,  and recruited collaborators like Meg Duffy (Hand Habits, Perfume Genius) and Waylon Rector  (Dominic Fike, Charli XCX). Leaning musicians’ personal style and skills, she went into the studio  with the intention of capturing raw, live sound.

After a meteoric couple of years touring with Mitski, Faye Webster and Japanese House, as well as  scoring feature film Cora Bora, this record is a return to Miya’s private world. She lays it on us in  turns like honey and heartache, each medicinal in its own right. Erotica Veronica is her  psychosexual, psychosensual masterstroke: a kaleidoscopic portrait of self-realization and  integration.